director Norman Panama, 1966

A typical mindless comedy of the Norman Panama & Melvin Frank brand.
Of course, Tony Curtis is great, as always, and Scott gives a surprisingly good comedy performance.
What makes the titles interesting is how they symbolize the hodge-podge of mix-ups (or should that be mixes-up?)
in the triangle of relations between Scott, Lisi and Curtis, by the clever use of color.
The visual effects are surprisingly flat, uninspired - not anywhere near the quality of, for example,
the contemporary Jefferson Airplane light show.
However, the animated intro is very funny indeed.